The gospel spirit fills the history of country music... For many country and bluegrass fans, the constant Jesus-isms can be a real turn-off, yet, like many kinds of religious music, it can bring out amazing, powerful performances and an emotional conviction that is rarely matched in secular pop culture. I'm hardly a preacher man, but there is some of this stuff I love, and having had the opportunity to hear a lot of country gospel over the years, I decided to take the chance to share some of my thoughts and impressions of the genre with y'all... Ready? Here we go!
COUNTRY GOSPEL:
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Comps
Holiday Music |
Other Country Styles
Autry Inman "Country Gospel: From The Heart To The Home" (Guest Star Records, 1965) (LP)
Jerry Irby "Hotline To Heaven" (Bagatelle Records, 1975-?) (LP)
The Isbell Family "That Glad Reunion Day" (SF Custom Records, 197-?) (LP)
Larry Ivey "Whisper Jesus" (Ripcord Records, 197--?) (LP)
(Produced by Byron Benton)
A true-twang gospel album from a veteran of the 1950s hillbilly era... Originally a secular singer, Irby got swept up in the early 'Seventies wave of born-again evangelical Christianity, and seems to have penned all the songs on this self-released album. He plays rhythm guitar, backed by a local Houston, Texas crew that included Glenn Adams (piano), George Holsomback (drums), Dan Waters (lead guitar), John Wilbanks (bass) and backing vocals by Merlene Singers. Western swing old-timer Clyde Brewer (1930-2011) chimes in on violin; Irby may also have done some work with Brewer's band, the Original River Road Boys... anyone know for sure?
A charmingly straightforward gospel set by a family band from Oklahoma... Most of the performers were the children of Rev. Samuel Thomas Isbell (1905-1996) and his wife, Annie Mae Isbell (1909-1971) who had passed away before this album was made. The instrumentalists include siblings Dorlene Crim (piano), Gip Isbell (lead guitar) and Sammie Raye Thompson (piano) along with Billy Betche on bass and Loyd Betche playing rhythm guitar. The family chorus included the guitar picking son Gipson F. Isbell (1941-1998) and several now-married daughters, Dorlene Crim (1929–2007), Celia Foster (1931–1989), Lora Peck (1933–1995) and Sammie Raye Thompson (1936–2014), along with a gal named Roberta Stanley, who does not appear to have been a relative. Although the piano-based arrangements show little overt country influence, I found this record to be compelling due to their sincerity and rural authenticity, including those rich Texahoma accents. Fans of down-home, backwoods gospel might want to check this one out, even with the lack of fiddle, steel or mandolin. The liner notes mention them spreading the word through music, but as far as I can tell neither the Isbell family or the Betche brothers were well-known performers.
(Produced by Gene Breeden)
A disappointing dud on the otherwise-awesome Ripcord label... Although Gene Breeden and his studio crew are on here -- Blaine Allen, Danny Breeden, Geno Keyes, and Gene Breeden on lead guitar and steel -- they're barely going through the motions, backing the schmaltzy, wobbly-voiced evangelist Larry Ivey. Ivey was a pastor from Hayward, California, though he apparently made the trek up to Vancouver, Washington to cut this disc. At any rate, this is an uninspiring album, at least from a country fan's perspective, with too little twang to be heard.
More Country Gospel -- Letter "J"