Judy Kaye "Pretty Is As Pretty Does" (Stardust Records, 19--?) (LP)
(Produced by Judy Kaye, Mick Gentry, Ashley Keating & David Nugent)
Rarities alert! Before he decamped for global fame in the United States, Keith Urban was a local country picker back in Brisbane... and he had long hair! A lot of other folks on here as well, including Ashley and Petra Keating, of the band Country Fever, and Jim Brelsford (banjo and pedal steel), Hugh Curtis (fiddle and mandolin), Mick Gentry (bass), David Nugent (drums), Steve Nugent (rhythm guitar), Petra (akaPetra Keating, harmony vocals), Mick Privitera (piano), Peter Smith (harmony vocals), and the future superstar,
Keith Urban himself on rhythm and lead guitar... Anyone know what year this came out?
Keith Urban "Keith Urban" (EMI-Australia, 1991)
(Produced by Peter Blyton & Keith Urban)
Urban's first debut album -- with two more to follow -- this time an Australian release, made when he was in his early twenties. The album and singles tanked, failing to crack into the Aussie Top 100, but nonetheless the die was cast: there was no going back now! (This album was of course reissued by EMI in 1997, once Urban broke through in Nashville...)
Keith Urban & The Ranch "The Ranch" (Capitol/WEA-Australia, 1997)
(Produced by Keith Urban & Monty Powell)
The country-rockin' (major label) debut of this Aussie contemporary country star. He's a pretty unimpressive singer; perhaps his high-pitched, strained vocal quality comes as a result of trying so hard to sound American, or maybe that's just what he's got to offer. At any rate, it's not like the songs threaten to overshadow his talent: they're pretty iffy as well, serviceable, but unmemorable. It's interesting, though, in light of the super-glossy overproduction of his later Nashville hits, to hear him be so resolutely twangy and rootsy on this early outing. Obviously he was out to establish his bona fides as a "real" country singer -- sounds pretty forced, but you can see how he was able to attract some major label attention, and eventually to make it into the big time. Kind of reminds me of the Scottish indie-billy band, The Felsons, just with less subtlety and grace.
Keith Urban "Keith Urban" (Capitol Nashville, 1999)
(Produced by Keith Urban & Matt Rollings)
Hailing from Oceania (born in New Zealand, raised in Australia), pretty-boy Keith Urban waves high the banner of slick-but-slightly-soulful country. For the most part, this is way too glossy and tricked-up for me -- the looped drum machine effects and too-perfect production are repellant, his vocals are bland and profoundly un-adventuresome. Still, it sold like hotcakes: the apex of "country" as unchallenging EZ listening sonic wallpaper. On some songs he sounds a bit like them fellas from the Eagles, and I guess that's alright. Overall, though, this boybandish pablum is just the sound of your brain cells popping pointlessly, and time passing by while other, better records elude your grasp.
Keith Urban "Golden Road" (Capitol Nashville, 2002)
(Produced by Dan Huff & Keith Urban)
Keith Urban "Be Here" (Capitol Records, 2005)
(Produced by Dan Huff & Keith Urban)
At this point I think it's safe to say that Keith Urban's conquest of the new Nashville pop sound is complete... He has perfected his art, as far as I can tell, producing his best album yet of perky, inspirational pop tunes, each song with a closely measured, scientifically applied modicum of twang and remarkably ephemeral, anodyne lyrics. Now don't get me wrong, I actually don't mean that as a slam on Urban (or his producers...) This is pop music with a capital "P": it's perfectly tailored to do the job and sell a ton of records, and while it may be completely vacuous, it's also quite salable. I've listened to a lot of commercial country music, and this is about as good as the formula gets. It's not my kind of country, but more power to him, anyway.
Keith Urban "AOL Sessions" (Capitol Nashville, 2005)
Egad. There's a good chance I was tangentially involved with this record getting made... or at least knew the people who were responsible. My internet station got swallowed up by AOL in the early 2000s, and they kept pushing Keith Urban at me, trying to get me to interview him and whatnot. Anyway, if I was part of this project, I apologize.
Keith Urban "Love, Pain, And The Whole Crazy Thing" (Capitol Records, 2006)
(Produced by Dan Huff & Keith Urban)
The first half of this album is quite unapologetically Pop, and profoundly non-Country, but it hardly matters: this is also Urban's most solid, most compelling work to date, even with precious little twang in the mix. A strong set of confessional, introspective tunes, all marked by a heavy tilt towards treble reminiscent of '70s AOR, but with an expansive, 21st Century production style that represents Nashville at its sleekest and most modern, but also in some ways at its best. If you like traditional country, forget it -- this ain't gonna be your cup of tea, but as a contemporary adult pop record, it's a real doozy. I guess it came along with a lot of turmoil in Urban's life -- a celebrity wedding, drug rehab, etc. -- and some of that is reflected in the lyrics, albeit in a subtle, masked way. Overall, a big artistic leap for Urban, although on a personal level, it ain't really my kinda country.
Keith Urban "Defying Gravity" (Capitol Records, 2009)
Keith Urban "Fuse" (Capitol Nashville, 2013)
Keith Urban "Ripcord" (Capitol Nashville, 2016)
Keith Urban "Graffiti U" (Capitol Nashville, 2018)
Keith Urban "The Speed Of Now, Part One" (Capitol Nashville, 2020)
Keith Urban "High" (Capitol Nashville, 2024)
Top Forty country star Keith Urban is one of those folks who had a long, long climb to fame... Born in New Zealand, he grew up in Queensland, Australia, near the heart of the Australian country music scene. He started performing professionally before he reached his teens, appearing in talent contests and on TV shows throughout the 'Eighties, and got his first major-label contract in 1990, when he was in his early twenties. That first album didn't really make any waves, but it helped him land a gig touring with Australian legend Slim Dusty, before he made his move to Nashville. In America, first made his mark as a guitar picker, backing top country stars such as Garth Brooks and Alan Jackson; he made his US debut in 1997 fronting a band called The Ranch, but didn't really break through until his self-titled 1999 album spawned his first chart-topping hit, "But For The Grace Of God," which was the first of bazillions of #1 songs, in a commercial hot streak that lasted nearly two decades. Personally, I'm not that big a fan, but what do I know about country music? Anyway, here's a quick look at his career...
