Songwriter/guitarist John Beland is one of those guys whose career requires one of those hand-drawn flowcharts that map out the entire history of a musical genre... As a teenager enamored of country music, he hit the Los Angeles club scene in the mid-1960s and swiftly made his mark as a session player, bandleader and as a pioneer of the brand-new country-rock movement. Beland met fiddler Gib Guilbeau and formed the band Swampwater, which recorded two albums and worked as the back-up band for first Linda Ronstadt, then Arlo Guthrie; after Swampwater dissolved, Beland moved into support work for top artists such as Johnny Tillotson, Kris Kristofferson, Dolly Parton and finally as an arranger and guitarist for Ricky Nelson. In 1980, Guilbeau invited Beland to join the chronically capsizing Flying Burrito Brothers, and together they led the band through one of its most notable periods of commercial success... Here's a quick look at his work...
Swampwater "Swampwater" (King-Starday Records, 1970) (LP)
(Produced by John Wagner)
This album was recorded by country-rockers John Beland and Gib Guilbeau while they were working together as part of Linda Ronstadt's early backup band... It's an interesting example of early-vintage Southern California country-rock mixing with cajun country, with sort of a Doug Kershaw-meets-The Byrds vibe. The pop-rock production is a little on the light side, though the airy high harmonies are attractive -- sort of a bridge between the Hollies and the Eagles. There's also a relatively old-fashioned '60s folk vibe on several tracks... Several members of the band wound up working with Arlo Guthrie for a few years, while Beland and Gilbeau reunited years later in a commercially successful 1980's lineup of the Flying Burrito Brothers. But given that this album came out so early in the decade, it deserves its own special spot in the annals of country-rock. Certainly worth a spin!
Swampwater "Swampwater" (RCA Victor, 1971) (LP)
(Produced by Larry Murray & Ken Mansfield)
The second Swampwater album gets lost in the shuffle a bit, but it featured a nice dose of the RCA studio sound, and rich contributions from guest musicians such as Herb Pedersen on banjo, steel guitarists Jimmy Day and Curly Chalker, and piano player Glen D. Hardin (who was later to join Elvis Presley's TCB band, an Emmylou Harris's Hot Band...) Quite a lineup! Around this same time the guys in Swampwater were trying to hustle up gigs anywhere they could, and worked as backup musicians on a bunch of budget-line albums.
John Beland "John Edward Beland" (Scepter Records, 1973) (LP)
(Produced by John Beland)
A remarkably diverse, sometimes mystifying, ultimately rewarding solo set, with John Beland in the spotlight, though still surrounded by a familiar country-rock cohort: steel player Sneaky Pete Kleinow, Alex Del Zoppo (piano), Joe Lamano (bass), Thad Maxwell (steel guitar), John Ware (drums and piano), and various and sundry others. Beland himself plays several different instruments -- banjo, guitar, piano -- and wrote almost all the songs, clearly intending this album to be his magnum opus. Twangfans may find this record both tantalizing and insufficient -- in line with the times, there are a plenty of lush, amorphous pop-vocal string arrangements, though also strong threads of folk, twang and blues in there as well. Overall, this is an ambitious set, one would imagine it was exactly the record Beland wanted, a record that challenges its listeners and makes them consider the artist on his own terms. Burritos fans will definitely want to check this one out.
Back Pocket "Buzzard Bait" (Joyce Records, 1976) (LP)
(Produced by Pat Robinson & Pat Maroshek)
A one-off collaboration with various Southern California pickers, this band was led by songwriter Pat Robinson, who wrote all the material and sang lead in an amiable, lightly nasal twang that occasionally takes on a fragility that's suggestive of Neil Young. Also on board were the core members of the early '70s country-rock band, Swampwater -- guitarist John Beland, fiddler Gib Guilbeau and steel player Thad Maxwell -- as well as bluegrasser Larry McNeely picking banjo, and drummer Pat Maroshek, who I think was considered the band's co-leader with Robinson. The music is light, bouncy, bubblegummy country-rock material similar to some early Eagles recordings or the airier side of the Byrds -- kinda lightweight and lighthearted, but decent for the genre and a fine example of what the twangsters were up to at the time. This band never really went anywhere, but the album's worth checking out if you're a big fan of the late-vintage Burrito Brothers, or just SoCal country-rock in general. (And dig the so-very SoCal liner notes dedication to Scientology founder L. Ron Hubbard... groovy, man!!)
Swampwater "Reunion" (Appaloosa Records, 1987)
A 1979 reunion gig which was recorded but left in the can for the better part of a decade... It was re-released in 2004 with two bonus tracks.
The Burrito Brothers "Hearts On The Line" (Curb Records, 1981) (LP)
(Produced by Michael Lloyd)
This was the first Burritos album to feature John Beland, Gib Guilbeau's songwriting partner and onetime bandmate from the group Swampwater...
The Burrito Brothers "Sunset Sundown" (Columbia Records, 1982) (LP)
Flying Burrito Brothers "Eye Of A Hurricane" (1994)
John Beland "Bare Bones" (2001)
(Produced by John Beland)
John Beland "The Very Best Of John Beland" (2002)
(Produced by John Beland)